review
Sent to prison for allegedly killing her lover, Julia discovers she is pregnant and is sent to a high-security maternity ward to serve her time. Julia's only concern now is her son. Her fellow inmate Marta becomes her ally; her mother Sofà a, her opponent. One attempts to teach her how to be a mother; the other wishes to take over rearing the child. The film, shot in a real prison with inmates as extras, shines a light on a little known aspect of prison life: motherhood behind bars.
After Julia is sent to the penitentiary for the murder of her lover, she gives birth to a son. Bringing up a child in prison is difficult, but Julia understands that the only thing that matters to her is this new being that accompanies her now, that there is no life for her beyond that of her child. Her fellow inmate Marta becomes her ally; her mother Sofía, her opponent. One attempts to teach her how to be a mother to her child in the least appropriate place; the other wishes to take over rearing the child, so that he should grow up outside prison, in freedom. The duel between Julia and her mother expresses the dilemma of what is better for the child, to be brought up next to his mother in prison, or without her, but in freedom.
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