Dil Bole Hadippa! Hindi Movie
Release Date: 18 Sep 2009
Genre: Drama
Language: Hindi
Director: Anurag Singh
Producer: Aditya Chopra
Cast:
Shahid Kapoor
Rani Mukherjee
Rakhi Sawant
Reviews
Genre: Drama
Language: Hindi
Director: Anurag Singh
Producer: Aditya Chopra
Cast:
Shahid Kapoor
Rani Mukherjee
Rakhi Sawant
Reviews
DIL BOLE HADIPPA is a celebration of the never say die spirit of India. Here, for the first time, the dynamic duo of Shahid Kapoor & Rani Mukherjee, take you on a hide and seek game of romance, passion and dreams.
Veera (Rani Mukherjee) is a fire-cracker of a girl who lives in a small village but dreams in 70mm. She works in a local theatre group but dreams of playing cricket in the big league. Yes, believe it or not, she wants to play with Tendulkar and Dhoni for India.
While Veera dreams on in India, Rohan (Shahid Kapoor) is an accomplished captain of a county cricket team in England. Rohan returns to India to captain his father's cricket team which has been losing consecutively for the last 8 years.
In a village where girls don't play cricket, Veera has to put on a turban and beard and become a man to fulfill her dreams. Her brilliance on the field earns her a place in Rohan's team and Veera Kaur becomes Veer Pratap Singh.
And then begins a roller-coaster journey of Veera, Rohan and Veer filled with music, romance and comedy through Punjab and beyond.
This tale of turbans, twists and tricks will make your heart go - Hadippa!
Dil Bole Hadippa is the story of Veera Kaur (Rani Mukerji) who belongs to a village where girls don't play cricket. In order to fulfill her dreams, she puts on a turban and beard and becomes "Veer Pratap Singh". Her brilliance on the field earns her a place in Rohan's (Shahid Kapoor) team.
Dil Bole Hadippa brings Pritam back to Yash Raj homeground, his last time with them being for clatter-bang music in Dhoom and Dhoom 2. The album is replete with Punjabi beats and is low on hip-hop. Though it has a small shelf life, unlike Jab We Met and Love Aaj Kal, it is loud enough to generate hype for the film and embodies the desi Punjabi spirit of the film.
Dil Bole Hadippa opens with the upbeat ‘Hadippa’, sung energetically by Mika Singh – a watered down version of Daler Mehndi. It sets the tone for a fun, masala album and a colourful video set in a Punjabi village. The Punjabi lyrics by Jaideep Sahni are full of masti and celebration. There is no avoiding it once the channels start blaring the video round the clock. The remix has an edge over the original with its slightly more jazzed and scratched sound..
‘Discowale Khisko’, sung by Sunidhi Chauhan, KK and Rana Mazumdar is set in a Baisakhi Mela and has lyrics like ‘Nach karenge, touch karenge, aaj too much karenge’. It’s a mix of dhol beats and grunge guitars and harps on being desi. The tune is not strong and after a point, the song is just background noise. Actually, how else will Pritam compose original stuff? The back beat reminds one of the ‘Kaala Chashma’ Bhangra track that we have heard a zillion times. The remix is danceable, if you can’t swing to the original.
‘Ishq Hi Rab Hai’ is the compulsory love ballad sung by saccharine sweet-voiced Shreya Ghoshal who is complemented by Sonu Niigaam. We have heard the song in other Yashraj films and it conjures images of a colourful salwar-clad Rani running across mustard fields and Shahid chewing on sugarcane and serenading her. Oh boy, did we hit it right!
‘Bhangra Bistar’ is a Punjabi item song featuring Alisha Chinai at her sweetest best, Sunidhi Chauhan going over the top and Hard Kaur doing what she does best. It has a catchy, danceable chorus. It promises to be a hot video featuring Rakhi Sawant and Rani. The song is a scream, a slingshot number in Pritam’s musical arm.
‘Gym Shim’ has been composed and sung by Joshilay. It is an energetic track that should get you all charged up to lose some flab. ‘Khud se hi khud ki fighting’ the lyric goes – time to just do it. It’s reminiscent of Sarita Jain’s Masala Bhangra exercise video series. We have had too much of Hadippa. It’s surely fun to exercise to.
DIL BOLE HADIPPA is a celebration of the never say die spirit of India. Here, for the first time, the dynamic duo of Shahid Kapoor & Rani Mukherjee, take you on a hide and seek game of romance,passion and dreams.
Veera (Rani Mukherjee) is a fire-cracker of a girl who lives in a small village but dreams in 70mm. She works in a local theater group but dreams of playing cricket in the big league. Yes, believe itor not, she wants to play with Tendulkar and Dhoni for India.
While Veera dreams on in India, Rohan (Shahid Kapoor) is an accomplished captain of a county cricket team in England. Rohan returns to India to captain his father’s cricket team which has been losing consecutively for the last 8 years.
In a village where girls don’t play cricket, Veera has to put on a turban and beard and become a man to fulfill her dreams. Her brilliance on the field earns her a place in Rohan’s team and Veera Kaur becomes Veer Pratap Singh.
And then begins a roller-coaster journey of Veera, Rohan and Veer filled with music, romance and comedy through Punjab and beyond.
This tale of turbans, twists and tricks will make your heart go – Hadippa!
hadippa movie, hadippa lyrics, dil bole haddipa,lyrics of hadippa, dil bole hadipa, hot rani mukherjee
hot rani mukherjee
Dil Bole Hadipa Review and story, It is the latest forth coming movie and starring Rani Mukherjee and Shahid Kapoor in the main lead roles. The movie concept deals on the desi Punjabi spirit of the film.Dil Bole Hadippa opens with the upbeat ‘Hadippa’, sung energetically by Mika Singh – a watered down version of Daler Mehndi.
Rani Mukerji playing as Veera who always dreams to play cricket in the international matchesRohan (Shahid Kapoor) is an accomplished captain of a county cricket team in England.
Rohan returns to India to captain his father’s cricket team which has been losing consecutively for the last 8 years. A village where girls don’t play cricket, Rani gets an idea of wearing dress like a sardar and her brilliance on the field earns her a place in Rohan’s team.
Its CHAK DE INDIA meets RAB NE BANA DI JODI! Yashraj Films (YRF) passion for Punjabi culture has been spotlighted in almost each of their release, but DIL BOLE HADIPPA! goes full blast with it. Whether it's ''chocolate-covered candy-hearts'' in Switzerland or sunshine-sparkling ''Punjab de sarsoon de khet'', their film has always been sumptuous with Punjabi enriched culture. To accentuate out this cultural heritage, Pritam gets the optimum opportunity to re-kindle out his finesse over this ''bhangra-beat'' culture that fetched him bountiful of chartbusting tracks.
Like CHAK DE INDIA, YRF experiments it out with struggling director Anurag Singh (RAQEEB-2007) for this ''girl-turned-boy'' meeting cricket coach love saga. For the prestigious YRF, the year 2009 has been auspicious so far with the musical success of NEW YORK, and now DIL BOLE HADIPPA! carries enough ammunition to explode out with its thunderous beats and catchy rhythms. Even Pritam had flourishing 2009 with successes like LOVE AAJ KAL and NEW YORK. So can this ''hadippa'' be as exciting as one expects as their last previous notable works. Put on your dancing shows and pump up the volumes to get into the groove of this ''dancing-shancing'' album...
Balle Balle! Spicy, funky and ethnic, all colors of festivity blooms in ''bhangra'' beats and ''dhol'' sounds to create a razzmatazz of affairs in affectionately boisterous ''Hadippa''. After churning out two immensely popular and eye-goggling ''bhangra'' numbers ''Mauja Hi Mauja'' (JAB WE MET) and ''Twist'' (LOVE AAJ KAL), Pritam is all set for the much deserved ''hat-trick'' of chartbusting success of this cadre with this lively track. This Mika Singh second major attribute in Pritam's prolific working has everything ranging from skillfully played keyboards, ''dhol'', ''tumbi'', ''ektara'', ''sapp'' (all traditional instruments) and serpentine flowing customary mandolin between preludes gushing out in loud stream of nonsensically penned witty lyrics (''Duniya Firangi Syappa Hai, Fikar Hi Gum Ka Papa Hai, Apna To Bas Yeh Jaapa Hai, Fikar Karein Fukarey...'') to make body shaking on the floors. Pritam's composition succeeds comprehensibly in making this ''carefree-go-free'' number a sprightly package by mixing out with hip-shaking arrangements. To add ''mirch-ka-tadka'' sort of emotions, Jaideep Sahni's ''no-brains-all-fun'' wordings have that rustic flamboyance that makes it a perfect ''bhangra-beat'' dancing fest number.
In cloudburst of ''remixes'', DJ Sandeep Shirodkar proves his mettle and makes his work loud and clear when ''Hadippa (remix)'' firing on all cylinders with added vocals of Sunidhi Chauhan. YRF felt so special about this ''remix'' that they promoted it's full version aggressively, showing their great confidence in the ''kismat-konnection'' of lead pair for this flick. Rocking!!!
After giving ''firangi'' culture thumbs down in ''Hadippa'', it's time for revival of some ''desi-beats'' as the rigorous tempo swivels for turf-war with ''disco-culture'' in ''Discowale Khisko''. This situational enthralling number comes with heavy usage of ''tumbi'' and ''ektara'' (traditional stringed plucking instruments - similar sounding to ''Mundiyan to Bachke'' by Punjabi MC) with thriving synthesizers and percussion in its backdrop. Sunidhi Chauhan along with KK and Rana Mazumdar are full throttle in enjoying out loud octave singing that encompasses varied forms of ''bhangra'' dancing (preferably ''giddha'', ''kikli'' etc) in its colorful outing. Pritam's composition is enticing but bears strong similarity with popular ''bhangra'' track ''Kala Chashma'' (Amar Arshi) in its stringed signature tune with old-fashioned ''bhangra'' loud tempo.
''Disco Khisko (Remix)'' by Abhijit Vaghani has strong UK ''bhangra'' pub-culture feel that can be felt in traditional instrumentals in zany DJ spins and claps. Like ''Maa Da Ladla'' (DOSTANA), Master Salim renders out terrific outing where his echoed and modulated toned voice forms amiable support to make this ferociously roaring number for the floors.
Pritam rejuvenates long-established YRF feel of 70's and 80's (similar to Shiv-Hari's style of music) in melancholic sounding Punjabi flavored sentimental soundtrack ''Ishq Hi Hai Rab''. Jaideep Sahni's glossary remains the same with words like ''ishq'', ''rab'', ''soniye'' making recurring presence and the song showing similarities to average sounding ''Desh Rangila'' (FANAA (2006). Shreya Ghoshal's voice is a blessing which helps in lifting up spirits of this romantically situational sounding composition that has synchronized flutes, piano chorals and nostalgic chorals to support. Sonu Nigam joins the show midway with lyrics that are stereotypically ''filmi'' in narration. Great visuals and likable actors enacting it with grace will be its plus factor while this song tries to change mood as well as the tempo of the album with pinch of sobriety in it with no great shakes.
If ''Hum to Aisa Hai'' (LAAGA CHUNARI MEIN DAAG) was playful voice-over of crispy feminine duo of UP then ''Bhangra Bistar'' lauds up the ''Punjab-di-kudi'' power with enormous roars and cheers. It's female power all over with sensuous sounding Alisha Chinai, racy Sunidhi Chauhan and wacky emceeing by Hard Kaur that enlightens up proceedings. Jaideep Sahni makes it special with ''B'' stylized ''tongue-twister'' (''bhangra-bistar-beer-batair'') and piles up spicy one-liners (''Haan inke oonche oonche dream, Cooker maare jaise shteam...) to evoke elements of hilarity in this ''item'' song. Alisha and Sunidhi are loquacious as well as boisterous at many times and these acts metaphor playfulness with tinge of sensuality in it. Pritam makes usage of ''boliyas'' for the first time and they are well inundated in crispy ''tete-a-tete'' between two lead vocalists. It will be absorbing narration and captivating choreographically shot moves that will be making up this an all colorful visual spectacle. Entertaining!!!
The concluding track ''Gym Shim'' by guest composer Joshilay brings out oozing-machismo with ''check-the sound'' dancing and exercising moves. This last ''bhangra'' outing is more akin to gymnastically insightful choreographic moves with eccentric sounding countdown in its ''tongue-in-check'' lyrical moves. Entertaining to core, this playfully composed UK based ''bhangra'' will have major takers in fitness centre and will be a hot-favorite among young listeners. Go for it!
DIL BOLE HADIPPA is a speeding Punjab Express/Mail that promises entertainment at every fellow station with (probable) chartbusting success written all over it. YRF's undying passion for Punjabi-yaat, Jaideep Sahni's resilient Punjabi-lingo edges and Pritam's diligence in exuding out vibrant shades of ''bhangra'' beat music culture supreme out with success. The album promises big hits in the form of the enthralling ''Hadippa'' (both versions) and guarantees tons of entertainment with tracks like ''Bhangra Bistar'', ''Gym Shim'' and ''Discowale Khisko''. It will be going very strong in North Indian Punjabi speaking belt and is expected to gain enormous success with its expected box office success.
Those who like Punjabi music are in for a treat with Yashraj Film' latest offering "Dil Bole Hadippa" that has Shahid Kapoor and Rani Mukerji in lead roles. Composed by Pritam Chakraborty, the album has five pacy and foot-tapping numbers soaked in Punjabi flavour.
First is the title track "Hadippa" crooned by Mika Singh. It is currently on air and has proved to be a hit. Foot-tapping and energetic, it is a true dance number and one can say that Punjabi folk music is reinvented with the song.
The track also has a remixed version, which is equally enticing, especially with dhol as an instrument taking precedence.
Up next we have "Disco wale khisko" - high on beats, it is another hardcore Punjabi dance number with a little western flavour with the inclusion of guitar along with dhols and flutes. With power-packed vocals by Sunidhi Chauhan, KK and Rana Mazumder, it is sure to be a hit at the DJ consoles.
This too has a remixed version which adds more colour to the original.
Next is "Ishq hi rab hai" - a romantic number that changes the mood with its slow pace. Sonu Nigam and Shreya Ghoshal have sung it. Though it is different from the rest of the numbers in the album, it doesn't strike a chord with the listener.
With "Bangra bistar" the soundtrack returns to its fast-paced songs. This upbeat track is definitely worth a listen especially when sung by Sunidhi Chauhan, Alisha Chinoy and Hard Kaur.
Finally, there is another high octave track "Gym Shim" sung by music band Joshilay. If one can give the lyrics a miss, the beat is catchy and in some ways entertaining. There is some potential in the track that holds the interest till the end.
On the whole, Pritam has moved away from his signature style to create music for "Dil Bole Hadippa". The songs seem quite relevant to the feel of the film. Each song has the flavour of Punjab in it.
Veera (Rani Mukherjee) is a fire-cracker of a girl who lives in a small village but dreams in 70mm. She works in a local theatre group but dreams of playing cricket in the big league. Yes, believe it or not, she wants to play with Tendulkar and Dhoni for India.
While Veera dreams on in India, Rohan (Shahid Kapoor) is an accomplished captain of a county cricket team in England. Rohan returns to India to captain his father's cricket team which has been losing consecutively for the last 8 years.
In a village where girls don't play cricket, Veera has to put on a turban and beard and become a man to fulfill her dreams. Her brilliance on the field earns her a place in Rohan's team and Veera Kaur becomes Veer Pratap Singh.
And then begins a roller-coaster journey of Veera, Rohan and Veer filled with music, romance and comedy through Punjab and beyond.
This tale of turbans, twists and tricks will make your heart go - Hadippa!
Dil Bole Hadippa is the story of Veera Kaur (Rani Mukerji) who belongs to a village where girls don't play cricket. In order to fulfill her dreams, she puts on a turban and beard and becomes "Veer Pratap Singh". Her brilliance on the field earns her a place in Rohan's (Shahid Kapoor) team.
Dil Bole Hadippa brings Pritam back to Yash Raj homeground, his last time with them being for clatter-bang music in Dhoom and Dhoom 2. The album is replete with Punjabi beats and is low on hip-hop. Though it has a small shelf life, unlike Jab We Met and Love Aaj Kal, it is loud enough to generate hype for the film and embodies the desi Punjabi spirit of the film.
Dil Bole Hadippa opens with the upbeat ‘Hadippa’, sung energetically by Mika Singh – a watered down version of Daler Mehndi. It sets the tone for a fun, masala album and a colourful video set in a Punjabi village. The Punjabi lyrics by Jaideep Sahni are full of masti and celebration. There is no avoiding it once the channels start blaring the video round the clock. The remix has an edge over the original with its slightly more jazzed and scratched sound..
‘Discowale Khisko’, sung by Sunidhi Chauhan, KK and Rana Mazumdar is set in a Baisakhi Mela and has lyrics like ‘Nach karenge, touch karenge, aaj too much karenge’. It’s a mix of dhol beats and grunge guitars and harps on being desi. The tune is not strong and after a point, the song is just background noise. Actually, how else will Pritam compose original stuff? The back beat reminds one of the ‘Kaala Chashma’ Bhangra track that we have heard a zillion times. The remix is danceable, if you can’t swing to the original.
‘Ishq Hi Rab Hai’ is the compulsory love ballad sung by saccharine sweet-voiced Shreya Ghoshal who is complemented by Sonu Niigaam. We have heard the song in other Yashraj films and it conjures images of a colourful salwar-clad Rani running across mustard fields and Shahid chewing on sugarcane and serenading her. Oh boy, did we hit it right!
‘Bhangra Bistar’ is a Punjabi item song featuring Alisha Chinai at her sweetest best, Sunidhi Chauhan going over the top and Hard Kaur doing what she does best. It has a catchy, danceable chorus. It promises to be a hot video featuring Rakhi Sawant and Rani. The song is a scream, a slingshot number in Pritam’s musical arm.
‘Gym Shim’ has been composed and sung by Joshilay. It is an energetic track that should get you all charged up to lose some flab. ‘Khud se hi khud ki fighting’ the lyric goes – time to just do it. It’s reminiscent of Sarita Jain’s Masala Bhangra exercise video series. We have had too much of Hadippa. It’s surely fun to exercise to.
DIL BOLE HADIPPA is a celebration of the never say die spirit of India. Here, for the first time, the dynamic duo of Shahid Kapoor & Rani Mukherjee, take you on a hide and seek game of romance,passion and dreams.
Veera (Rani Mukherjee) is a fire-cracker of a girl who lives in a small village but dreams in 70mm. She works in a local theater group but dreams of playing cricket in the big league. Yes, believe itor not, she wants to play with Tendulkar and Dhoni for India.
While Veera dreams on in India, Rohan (Shahid Kapoor) is an accomplished captain of a county cricket team in England. Rohan returns to India to captain his father’s cricket team which has been losing consecutively for the last 8 years.
In a village where girls don’t play cricket, Veera has to put on a turban and beard and become a man to fulfill her dreams. Her brilliance on the field earns her a place in Rohan’s team and Veera Kaur becomes Veer Pratap Singh.
And then begins a roller-coaster journey of Veera, Rohan and Veer filled with music, romance and comedy through Punjab and beyond.
This tale of turbans, twists and tricks will make your heart go – Hadippa!
hadippa movie, hadippa lyrics, dil bole haddipa,lyrics of hadippa, dil bole hadipa, hot rani mukherjee
hot rani mukherjee
Dil Bole Hadipa Review and story, It is the latest forth coming movie and starring Rani Mukherjee and Shahid Kapoor in the main lead roles. The movie concept deals on the desi Punjabi spirit of the film.Dil Bole Hadippa opens with the upbeat ‘Hadippa’, sung energetically by Mika Singh – a watered down version of Daler Mehndi.
Rani Mukerji playing as Veera who always dreams to play cricket in the international matchesRohan (Shahid Kapoor) is an accomplished captain of a county cricket team in England.
Rohan returns to India to captain his father’s cricket team which has been losing consecutively for the last 8 years. A village where girls don’t play cricket, Rani gets an idea of wearing dress like a sardar and her brilliance on the field earns her a place in Rohan’s team.
Its CHAK DE INDIA meets RAB NE BANA DI JODI! Yashraj Films (YRF) passion for Punjabi culture has been spotlighted in almost each of their release, but DIL BOLE HADIPPA! goes full blast with it. Whether it's ''chocolate-covered candy-hearts'' in Switzerland or sunshine-sparkling ''Punjab de sarsoon de khet'', their film has always been sumptuous with Punjabi enriched culture. To accentuate out this cultural heritage, Pritam gets the optimum opportunity to re-kindle out his finesse over this ''bhangra-beat'' culture that fetched him bountiful of chartbusting tracks.
Like CHAK DE INDIA, YRF experiments it out with struggling director Anurag Singh (RAQEEB-2007) for this ''girl-turned-boy'' meeting cricket coach love saga. For the prestigious YRF, the year 2009 has been auspicious so far with the musical success of NEW YORK, and now DIL BOLE HADIPPA! carries enough ammunition to explode out with its thunderous beats and catchy rhythms. Even Pritam had flourishing 2009 with successes like LOVE AAJ KAL and NEW YORK. So can this ''hadippa'' be as exciting as one expects as their last previous notable works. Put on your dancing shows and pump up the volumes to get into the groove of this ''dancing-shancing'' album...
Balle Balle! Spicy, funky and ethnic, all colors of festivity blooms in ''bhangra'' beats and ''dhol'' sounds to create a razzmatazz of affairs in affectionately boisterous ''Hadippa''. After churning out two immensely popular and eye-goggling ''bhangra'' numbers ''Mauja Hi Mauja'' (JAB WE MET) and ''Twist'' (LOVE AAJ KAL), Pritam is all set for the much deserved ''hat-trick'' of chartbusting success of this cadre with this lively track. This Mika Singh second major attribute in Pritam's prolific working has everything ranging from skillfully played keyboards, ''dhol'', ''tumbi'', ''ektara'', ''sapp'' (all traditional instruments) and serpentine flowing customary mandolin between preludes gushing out in loud stream of nonsensically penned witty lyrics (''Duniya Firangi Syappa Hai, Fikar Hi Gum Ka Papa Hai, Apna To Bas Yeh Jaapa Hai, Fikar Karein Fukarey...'') to make body shaking on the floors. Pritam's composition succeeds comprehensibly in making this ''carefree-go-free'' number a sprightly package by mixing out with hip-shaking arrangements. To add ''mirch-ka-tadka'' sort of emotions, Jaideep Sahni's ''no-brains-all-fun'' wordings have that rustic flamboyance that makes it a perfect ''bhangra-beat'' dancing fest number.
In cloudburst of ''remixes'', DJ Sandeep Shirodkar proves his mettle and makes his work loud and clear when ''Hadippa (remix)'' firing on all cylinders with added vocals of Sunidhi Chauhan. YRF felt so special about this ''remix'' that they promoted it's full version aggressively, showing their great confidence in the ''kismat-konnection'' of lead pair for this flick. Rocking!!!
After giving ''firangi'' culture thumbs down in ''Hadippa'', it's time for revival of some ''desi-beats'' as the rigorous tempo swivels for turf-war with ''disco-culture'' in ''Discowale Khisko''. This situational enthralling number comes with heavy usage of ''tumbi'' and ''ektara'' (traditional stringed plucking instruments - similar sounding to ''Mundiyan to Bachke'' by Punjabi MC) with thriving synthesizers and percussion in its backdrop. Sunidhi Chauhan along with KK and Rana Mazumdar are full throttle in enjoying out loud octave singing that encompasses varied forms of ''bhangra'' dancing (preferably ''giddha'', ''kikli'' etc) in its colorful outing. Pritam's composition is enticing but bears strong similarity with popular ''bhangra'' track ''Kala Chashma'' (Amar Arshi) in its stringed signature tune with old-fashioned ''bhangra'' loud tempo.
''Disco Khisko (Remix)'' by Abhijit Vaghani has strong UK ''bhangra'' pub-culture feel that can be felt in traditional instrumentals in zany DJ spins and claps. Like ''Maa Da Ladla'' (DOSTANA), Master Salim renders out terrific outing where his echoed and modulated toned voice forms amiable support to make this ferociously roaring number for the floors.
Pritam rejuvenates long-established YRF feel of 70's and 80's (similar to Shiv-Hari's style of music) in melancholic sounding Punjabi flavored sentimental soundtrack ''Ishq Hi Hai Rab''. Jaideep Sahni's glossary remains the same with words like ''ishq'', ''rab'', ''soniye'' making recurring presence and the song showing similarities to average sounding ''Desh Rangila'' (FANAA (2006). Shreya Ghoshal's voice is a blessing which helps in lifting up spirits of this romantically situational sounding composition that has synchronized flutes, piano chorals and nostalgic chorals to support. Sonu Nigam joins the show midway with lyrics that are stereotypically ''filmi'' in narration. Great visuals and likable actors enacting it with grace will be its plus factor while this song tries to change mood as well as the tempo of the album with pinch of sobriety in it with no great shakes.
If ''Hum to Aisa Hai'' (LAAGA CHUNARI MEIN DAAG) was playful voice-over of crispy feminine duo of UP then ''Bhangra Bistar'' lauds up the ''Punjab-di-kudi'' power with enormous roars and cheers. It's female power all over with sensuous sounding Alisha Chinai, racy Sunidhi Chauhan and wacky emceeing by Hard Kaur that enlightens up proceedings. Jaideep Sahni makes it special with ''B'' stylized ''tongue-twister'' (''bhangra-bistar-beer-batair'') and piles up spicy one-liners (''Haan inke oonche oonche dream, Cooker maare jaise shteam...) to evoke elements of hilarity in this ''item'' song. Alisha and Sunidhi are loquacious as well as boisterous at many times and these acts metaphor playfulness with tinge of sensuality in it. Pritam makes usage of ''boliyas'' for the first time and they are well inundated in crispy ''tete-a-tete'' between two lead vocalists. It will be absorbing narration and captivating choreographically shot moves that will be making up this an all colorful visual spectacle. Entertaining!!!
The concluding track ''Gym Shim'' by guest composer Joshilay brings out oozing-machismo with ''check-the sound'' dancing and exercising moves. This last ''bhangra'' outing is more akin to gymnastically insightful choreographic moves with eccentric sounding countdown in its ''tongue-in-check'' lyrical moves. Entertaining to core, this playfully composed UK based ''bhangra'' will have major takers in fitness centre and will be a hot-favorite among young listeners. Go for it!
DIL BOLE HADIPPA is a speeding Punjab Express/Mail that promises entertainment at every fellow station with (probable) chartbusting success written all over it. YRF's undying passion for Punjabi-yaat, Jaideep Sahni's resilient Punjabi-lingo edges and Pritam's diligence in exuding out vibrant shades of ''bhangra'' beat music culture supreme out with success. The album promises big hits in the form of the enthralling ''Hadippa'' (both versions) and guarantees tons of entertainment with tracks like ''Bhangra Bistar'', ''Gym Shim'' and ''Discowale Khisko''. It will be going very strong in North Indian Punjabi speaking belt and is expected to gain enormous success with its expected box office success.
Those who like Punjabi music are in for a treat with Yashraj Film' latest offering "Dil Bole Hadippa" that has Shahid Kapoor and Rani Mukerji in lead roles. Composed by Pritam Chakraborty, the album has five pacy and foot-tapping numbers soaked in Punjabi flavour.
First is the title track "Hadippa" crooned by Mika Singh. It is currently on air and has proved to be a hit. Foot-tapping and energetic, it is a true dance number and one can say that Punjabi folk music is reinvented with the song.
The track also has a remixed version, which is equally enticing, especially with dhol as an instrument taking precedence.
Up next we have "Disco wale khisko" - high on beats, it is another hardcore Punjabi dance number with a little western flavour with the inclusion of guitar along with dhols and flutes. With power-packed vocals by Sunidhi Chauhan, KK and Rana Mazumder, it is sure to be a hit at the DJ consoles.
This too has a remixed version which adds more colour to the original.
Next is "Ishq hi rab hai" - a romantic number that changes the mood with its slow pace. Sonu Nigam and Shreya Ghoshal have sung it. Though it is different from the rest of the numbers in the album, it doesn't strike a chord with the listener.
With "Bangra bistar" the soundtrack returns to its fast-paced songs. This upbeat track is definitely worth a listen especially when sung by Sunidhi Chauhan, Alisha Chinoy and Hard Kaur.
Finally, there is another high octave track "Gym Shim" sung by music band Joshilay. If one can give the lyrics a miss, the beat is catchy and in some ways entertaining. There is some potential in the track that holds the interest till the end.
On the whole, Pritam has moved away from his signature style to create music for "Dil Bole Hadippa". The songs seem quite relevant to the feel of the film. Each song has the flavour of Punjab in it.
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