Monday, November 30, 2009
Online Watch Hollywood Romantic Movie Broken Embraces Download Free Trailer Review Cast Crew
English Romantic Movie Broken Embraces 2009
Cast And Crew
Starring: Penélope Cruz, Lluis Homar, Lola Dueñas,
Ángela Molina, Carlos Leal, Ruben Ochandiano, Rossy De Palma,
Tamar Novas, Blanca Portillo, Kiti Manver, Chus Lampreave
Director: Pedro Almodóvar
Screenwriter: Pedro Almodóvar
Producer: Agustin Almodovar
Composer: Alberto Iglesias
Studio: Sony Pictures Classics
Genre: Art, Foreign, Drama, Romance, Thriller
Release Date: November 20, 2009
Hollywood Movie Broken Embraces Synopsis:
A man writes, lives and loves in darkness. Fourteen years before, he was in a brutal car rash on the island of Lanzarote. In the accident, he not only lost his sight, he also lost , thef his... A man writes, lives and loves in darkness. Fourteen years before, he was in a brutal car rash on the island of Lanzarote. In the accident, he not only lost his sight, he also lost , thef his life.Watch online Movie Trailer free Broken Embraces English Hollywood film.The film Directed by Pedro Almodóvar.
Lena love o This man uses two names: Harry Caine, a playful pseudonym with which he signs his literary works, stories and scripts, and Mateo Blanco, his real name, with which he lives and signs the film he directs. After the accident, Mateo Blanco reduces himself to his seudonym, Harry Caine.
If he can’t direct films he can only survive with the idea that Mateo Blanco died on Lanzarote with his beloved Lena. In the present day, Harry Caine lives thanks to the scripts he writes and to the help he gets rom his faithful former production manager, Judit García, and from Diego, her son, his secretary, typist and guide. Since he decided to live and tell stories, Harry is an active, attractive blind man who has developed all his other senses in order to enjoy life, on a basis of irony and self‐induced amnesia. He has erased from his biography any trace of his first identity, Mateo Blanco. One night Diego has an accident and Harry takes care of him (his mother, Judit, is out of Madrid and they decide not to tell her anything so as not to alarm her). During the first nights of his convalescence, Diego asks him about the time when he answered to the name of Mateo Blanco, after a moment of astonishment Harry can’t refuse and he tells Diego hat happened fourteen years before with the idea of entertaining him, just as a father tells his little child a story so that he’ll fall asleep. The story of Mateo, Lena,
Judit and Ernesto Martel is a story of “amour fou”, dominated by fatality, jealously, the abuse of power, treachery and a guilt complex. A moving and terrible story, the most expressive image of which is the photo of two lovers embracing, torn into a thousand pieces
Hollywood Movie Broken Embraces Review :
There’s often something charmingly eccentric about the English titles of Pedro Almodóvar’s films, as if Spain’s greatest living director spent just a few minutes pondering their translation with the aid of an online Spanish-English dictionary. ‘Live Flesh’? What exactly is that? ‘Bad Education’? The Spanish means ‘Bad Manners’ or ‘Ill Bred’. And now ‘Broken Embraces’. I’m not sure what they are either, although having seen Almodóvar’s seventeenth film twice, what’s clear is that the name reflects the feeling of watching it: it pulls you in and repels you, pulls you in and repels you. After over two hours of flirtation and rejection (this is Almodóvar’s longest film), it finally resolves itself into a beautiful love letter to cinema and its glorious potential, but not without exploring the darker side of the medium and how a film can so easily slip through its maker’s fingers.
While some of Almodóvar’s films are out-and-out heartbreakers – perfect storms of melodrama, storytelling and extreme living – this is a more cerebral, self-reflective and noir-ish affair. It’s part of his brilliance to tell wild stories without you even batting an eyelid. But here you can’t help notice the film’s complexity, not least because this tragic romantic thriller is mostly about films and filmmaking: Almodóvar is intent on piling image upon image so that there are several films within a film, including an amusing pastiche of the director’s own ‘Women on the Verge of a Nervous Breakdown’, here renamed ‘Girls and Suitcases’.
We start in the present: Harry Caine (Lluís Homar) is a blind scriptwriter who doesn’t let his disability disarm him: we encounter him having fun on his sofa with a woman who helped him to cross the road.
But his past rears its head when a young man comes knocking and we flash back to 1992 to meet Lena (Penélope Cruz), a young secretary driven to desperate measures to help her ill father. Two years later, Lena is living with her violent, older millionaire boss Ernesto Martel (José Luis Gómez) and starring in a film funded by Martel and directed by Caine – not yet blind and using his real name, Mateo Blanco.
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