Hindi Movie Tum Mile
Genre:Romance
Release Date:November 13, 2009
Language:Hindi
Producer:Mukesh Bhatt
Executive Producer / Co-Producer:Kumkum Saigal
Director:Kunal Deshmukh
Star Cast:Emraan Hashmi...... Ali Taha:Soha Ali Khan...... Sanjana
Singers:Neeraj Shridhar:K K:Javed Ali:Mohit Chauhan:Shafqat Amanat Ali
Lyricist:Kumaar:Sayeed Qadri
Music Director:Pritam Chakraborty
Cinematography:Prakash Kutty
Hindi Movie Tum mile Reviews
Language:Hindi
Producer:Mukesh Bhatt
Executive Producer / Co-Producer:Kumkum Saigal
Director:Kunal Deshmukh
Star Cast:Emraan Hashmi...... Ali Taha:Soha Ali Khan...... Sanjana
Singers:Neeraj Shridhar:K K:Javed Ali:Mohit Chauhan:Shafqat Amanat Ali
Lyricist:Kumaar:Sayeed Qadri
Music Director:Pritam Chakraborty
Cinematography:Prakash Kutty
Hindi Movie Tum mile Reviews
Tum mile takes a calamity that hit Mumbai in 2005 monsoons and tries to recreate the horror that the deluge brought with it. The protagonists of the film, played by Emraan Hashmi and Soha Ali Khan, are stuck in the deluge as has the whole of the city.
Through their eyes the film tries to convey what people might have gone through in those dark damp days when time ceased to move. It takes a satirical view on the administration and its preparation before monsoon.
The movie was originally slated for release in June-July to coincide with the Mumbai floods anniversary. However, due to the producers strike, the release timelines have now shifted to 25th September.
26th July 2005 rang an ominous bell-for most but amidst all the chaos and the tragedy, it reunited two star crossed ex lovers. 2 people who meet after a hiatus of 6 years-now occupying different worlds. Evidently, they had moved on
What starts off as a seemingly innocuous encounter on the same flight back to Mumbai-ends up as a rollercoaster ride through some of the darkest hours of Mumbai-as they see the city get swamped with disasterand lossand are forced to stick together in this time of crisis.
The story shifts perspective between the past and the present- a glorious but crazy past of 2 starkly different people falling in love-the differences at first being exciting. Gradually with time, they journey through the emotional pitfalls attached, the constant bickering, the franticand urgent making up, and irreconcilable differences-that give way to a final break up. And then we see those very people struggling their way through a stormy night in Mumbai that threatens to take over the city, their fearsand insecurities lying bare as their guard drops.
As emotions run high, the two learn more about each other on that night possibly than they knew in all those years of being together- tough situations call on some important revelations and they realize how transient and unpredictable life is and they need to make the most of the time that has been given to them together.
Through their eyes the film tries to convey what people might have gone through in those dark damp days when time ceased to move. It takes a satirical view on the administration and its preparation before monsoon.
The movie was originally slated for release in June-July to coincide with the Mumbai floods anniversary. However, due to the producers strike, the release timelines have now shifted to 25th September.
26th July 2005 rang an ominous bell-for most but amidst all the chaos and the tragedy, it reunited two star crossed ex lovers. 2 people who meet after a hiatus of 6 years-now occupying different worlds. Evidently, they had moved on
What starts off as a seemingly innocuous encounter on the same flight back to Mumbai-ends up as a rollercoaster ride through some of the darkest hours of Mumbai-as they see the city get swamped with disasterand lossand are forced to stick together in this time of crisis.
The story shifts perspective between the past and the present- a glorious but crazy past of 2 starkly different people falling in love-the differences at first being exciting. Gradually with time, they journey through the emotional pitfalls attached, the constant bickering, the franticand urgent making up, and irreconcilable differences-that give way to a final break up. And then we see those very people struggling their way through a stormy night in Mumbai that threatens to take over the city, their fearsand insecurities lying bare as their guard drops.
As emotions run high, the two learn more about each other on that night possibly than they knew in all those years of being together- tough situations call on some important revelations and they realize how transient and unpredictable life is and they need to make the most of the time that has been given to them together.
EXPECTATIONS
Hasnt it become all so predictable when one begins the review of any music coming from the house of Bhatts that has a Pritam and Emraan Hashmi association to it? So many times has a statement being made that Good music is pretty much on the cards when forces like Mukesh Bhatt, Mahesh Bhatt, Pritam, Emraan Hashmiand lyricist Sayeed Quadri come together. After all , their track record over the years has been a testimony to this fact. Hence bowing down to sheer predictability of listening to some real good music once again, one plays on TumMile which also has another lyricist Kumaar, who has now become a regular with Pritam, as an added contributor for writing the title song.
Music Review
However, to ones pleasant surprise, even better versions follow after a while with Javed Ali and Shafqat Amanat Ali getting their own solo versions of the same song. Frankly, the two singers do well in stealing the show this time around. Even though its the original version which is currently on air due to ingredients that give it a popular appeal , the ones that should turn out to be lambi race ka ghoda are the Love Reprise version by JavedAli and rock version by Shafqat Amanat Ali.
Javed Ali takes huge strides with his soft rendition in this melodious outing which stays away from excessive musical instruments. On the other hand Shafqat Amanat Ali, who hails from Pakistan, gets another fabulous song under his belt after Mitwa [Kabhi Alvidaa Naa Kehna] with this soft rock version of the title song.All in all, this is a song that grows on you and once the tune is set in mind, there is no stopping.
However, one is always greedy for more when its a Bhatt-Pritam-Emraan combination and this is where the trump card is out in the form of Dil Ibaadat. If one thought that Tum Mile was fabulous then one listening of Dil Ibadat will quickly make you change loyalties. In this love song, K.K. has a number in hand which could well be an award winning outing if aided by good picturisation. If presented in a highly passionateand dramatic manner, something which goes with the genre of the song, Dil Ibadat could well be the Khuda Jaane [Bachna Ae Haseeno] moment for Pritam.
Special mention is reserved for the oriental touch to the arrangements which gives that added edge to Dil Ibadat that also sees a rock version as the album progresses. This is where one begins to draw comparisons with Pritams soundtrack of Life In A Metro since that too belonged to a similar space.
The signature tune that is currently being heard along with the promos of Tum Mile kick starts Tu Hi Haqeeqat, which is yet another solo, this time Javed Ali at the helm of affairs. By this time, one realizes that the album is made of all-male singers. In fact this could well be the first ever instance for the music of a film with romance as its strong point not to be featuring any female voice atall . Coming back to Tu Hi Haqeeqat, it is not as strong as the title song or Dil Ibaadat but thats purely on a comparative scale. Rendered by JavedAli, this one has a core Indian feel to it and is the easiest tune to grasp. Perhaps this is the very reason one looks forward to the songs that follow since in Tum Mile one doesnt expect Pritam to churn out a conventional Bollywood tune.
Its a journey into the youngistan world with Mohit Chauhan taking listeners right into a campus through Iss Jahaan Mein. A lively number with fast paced arrangementsand a definite rhythm to it, Iss Jahan Mein still manages to get a melodic base to it. Also, one has heard Mohit Chauhan in quite a few slow moving tracks earlier, most of which are quite sober in appeal. However, this time around he also lets his hair downand with an innocent appeal to it; Iss Jahan Mein does carry enough potential to be yet another Junoon [New York].
K.K. returns to the scene with O Meri Jaan and makes sure that he gets to croon some of the best tracks in the album. This time around its a sad outing for the entire team which makes sure that the song turns out to be an emotionally charged affair, whether in terms of composition, writing or singing. This one is again straight out of the kind of genre that Life In A Metro had established a few years back. If you had liked the songs back then, there is no reason why they wont work now in the context of TumMile.
Finally comes Soul Of Tum Mile and as expected, this four minutes piece begins with the sound of a thunderstorm. There is a slow and steady movement in this instrumental piece which shows an escalation coming in at just the right junctures. Boasting of an international appeal, this piece become more intriguing 100 seconds down the line, hence ensuring that it would add on to the dramatic quotient as a part of the films background during some intense dramatic moments in the film.
OVERALL
2009 is clearly Pritams year. If he has enjoyed the biggest musical success in the form of Love Aaj Kal then he has also seen a steady success run of New York. If at the beginning of the year he gave multiple item hits in Billu then he has also got some pureand fresh music in place for Tum Mile. In between he has found some good tunes rolling for All The Best and Dil Bole Hadippa too, which re-establishes the fact that he is clearly THE most prolific hit-maker that we have in Bollywood today. This is what he proves yet again with TumMile where he gives Bhatts their very own Life In A Metro to be preserved and relished for years to come.
Hasnt it become all so predictable when one begins the review of any music coming from the house of Bhatts that has a Pritam and Emraan Hashmi association to it? So many times has a statement being made that Good music is pretty much on the cards when forces like Mukesh Bhatt, Mahesh Bhatt, Pritam, Emraan Hashmiand lyricist Sayeed Quadri come together. After all , their track record over the years has been a testimony to this fact. Hence bowing down to sheer predictability of listening to some real good music once again, one plays on TumMile which also has another lyricist Kumaar, who has now become a regular with Pritam, as an added contributor for writing the title song.
Music Review
However, to ones pleasant surprise, even better versions follow after a while with Javed Ali and Shafqat Amanat Ali getting their own solo versions of the same song. Frankly, the two singers do well in stealing the show this time around. Even though its the original version which is currently on air due to ingredients that give it a popular appeal , the ones that should turn out to be lambi race ka ghoda are the Love Reprise version by JavedAli and rock version by Shafqat Amanat Ali.
Javed Ali takes huge strides with his soft rendition in this melodious outing which stays away from excessive musical instruments. On the other hand Shafqat Amanat Ali, who hails from Pakistan, gets another fabulous song under his belt after Mitwa [Kabhi Alvidaa Naa Kehna] with this soft rock version of the title song.All in all, this is a song that grows on you and once the tune is set in mind, there is no stopping.
However, one is always greedy for more when its a Bhatt-Pritam-Emraan combination and this is where the trump card is out in the form of Dil Ibaadat. If one thought that Tum Mile was fabulous then one listening of Dil Ibadat will quickly make you change loyalties. In this love song, K.K. has a number in hand which could well be an award winning outing if aided by good picturisation. If presented in a highly passionateand dramatic manner, something which goes with the genre of the song, Dil Ibadat could well be the Khuda Jaane [Bachna Ae Haseeno] moment for Pritam.
Special mention is reserved for the oriental touch to the arrangements which gives that added edge to Dil Ibadat that also sees a rock version as the album progresses. This is where one begins to draw comparisons with Pritams soundtrack of Life In A Metro since that too belonged to a similar space.
The signature tune that is currently being heard along with the promos of Tum Mile kick starts Tu Hi Haqeeqat, which is yet another solo, this time Javed Ali at the helm of affairs. By this time, one realizes that the album is made of all-male singers. In fact this could well be the first ever instance for the music of a film with romance as its strong point not to be featuring any female voice atall . Coming back to Tu Hi Haqeeqat, it is not as strong as the title song or Dil Ibaadat but thats purely on a comparative scale. Rendered by JavedAli, this one has a core Indian feel to it and is the easiest tune to grasp. Perhaps this is the very reason one looks forward to the songs that follow since in Tum Mile one doesnt expect Pritam to churn out a conventional Bollywood tune.
Its a journey into the youngistan world with Mohit Chauhan taking listeners right into a campus through Iss Jahaan Mein. A lively number with fast paced arrangementsand a definite rhythm to it, Iss Jahan Mein still manages to get a melodic base to it. Also, one has heard Mohit Chauhan in quite a few slow moving tracks earlier, most of which are quite sober in appeal. However, this time around he also lets his hair downand with an innocent appeal to it; Iss Jahan Mein does carry enough potential to be yet another Junoon [New York].
K.K. returns to the scene with O Meri Jaan and makes sure that he gets to croon some of the best tracks in the album. This time around its a sad outing for the entire team which makes sure that the song turns out to be an emotionally charged affair, whether in terms of composition, writing or singing. This one is again straight out of the kind of genre that Life In A Metro had established a few years back. If you had liked the songs back then, there is no reason why they wont work now in the context of TumMile.
Finally comes Soul Of Tum Mile and as expected, this four minutes piece begins with the sound of a thunderstorm. There is a slow and steady movement in this instrumental piece which shows an escalation coming in at just the right junctures. Boasting of an international appeal, this piece become more intriguing 100 seconds down the line, hence ensuring that it would add on to the dramatic quotient as a part of the films background during some intense dramatic moments in the film.
OVERALL
2009 is clearly Pritams year. If he has enjoyed the biggest musical success in the form of Love Aaj Kal then he has also seen a steady success run of New York. If at the beginning of the year he gave multiple item hits in Billu then he has also got some pureand fresh music in place for Tum Mile. In between he has found some good tunes rolling for All The Best and Dil Bole Hadippa too, which re-establishes the fact that he is clearly THE most prolific hit-maker that we have in Bollywood today. This is what he proves yet again with TumMile where he gives Bhatts their very own Life In A Metro to be preserved and relished for years to come.
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