Thriller Movie
Cast And Crew
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Actor: Thaïs Blume, Héctor Colomé, José Coronado, Eduard Fernández Empar Ferrer
Director:Vicente Aranda
Screenwriter:Vicente Aranda (adaptation) Mempo Giardinelli
Genre:Thriller
Release Date: 2010
Language:Spanish
Country:Spain
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Plot
Those Spanish know how hot up a cinema screen with this little naught number called LUNA CALIENTE (or Sultry Moon). Directed by veteren Vicente Aranda and is based on a novel by Mempo Giardinelli which sees a man Ramiro who returns home to start a new career but his life turns upside down on one night, a night of a full moon.Within that full moon cycle he becomes a rapist, murderer and fugitive and his victim is an young beautiful woman (see picture above) where he has some steamy liason with, nudge, nudge, wink wink.
The book is meant to be some read, not one you would leave around the coffee table for your old granny to read and choke on her digestive biscuits. Looking at the trailer it does look risque but as in how much liasons happen its unclear, enjoy the trailer
Sinópsis
Argentina is on a total roll today. Hot on the heels of the trailer for Marcelo Piñeyro's new film comes another literary adaptation this time from an award winning novella about a man whose life is turned upside down on a night of a full moon.
Mempo Giardinelli's “Sultry Moon” is apparently quite the read but what caught my attention was this steamy trailer for Vicente Aranda's adaptation of the story which also happens to be titled Luna Caliente (“Sultry Moon”). The film stars Eduard Fernández as Ramiro, a man returning to his small Argentine town to start his career as a law professor, and the gorgeous Thaïs Blume as the young woman who becomes his victim. Ramiro's entire life changes within the span of a few hours when the moon is full and he becomes a rapist, murderer and fugitive.
The trailer is pretty risqué and I fully admit to being taken in by the sexual charge that permeates throughout. Not sure how far this carries over the film as the woman is only part of the story (the second part being Ramiro's evasion of the law) but I'm definitely curious to find out. And heck, with a poster as gorgeous as this one, who wouldn't be at least curious?
Luna caliente Review
A Paramount Pictures Espana release of a Corte & Confeccion de Peliculas, Cre-Accion Films, Viviana Films production, in association with Plot Films, with participation of TVE, TVC. (International sales: Cre-Accion Films, Madrid.) Produced by Teresa Font, Nano Montero, Rodolfo Montero, Vicente Aranda. Directed, written by Vicente Aranda, based on the novel by Mempo Giardinelli.
With: Eduard Fernandez, Thais Blume, Hector Colome, Jose Coronado, Empar Ferrer, Emilio Gutierrez Caba, Mary Carmen Ramirez, Carla Sanchez.
In "Hot Moon," Spanish vet Vicente Aranda continues to mine his traditional themes of passion and politics, but with vastly diminished results. Set in the '70s -- and mostly looking as if it were made then -- this story of a poet who falls victim to the charms of a femme fatale, with tragic results, could have been hailed as a Spanish groundbreaker 40 years ago but now looks passe and carelessly made. Only diehard Aranda fans will take an interest; locally, the Feb. 5 release opened far from hot.
Mempo Giardinelli's original novel is set in Argentina, but Aranda has relocated it to Spain at the time of the famous Burgos trials, when Basque terrorists were controversially condemned to death by the ailing Franco regime. Juan (Eduard Fernandez) has returned from exile in Paris and, at the house of Republican Dr. Muniente (Emilio Gutierrez Caba), falls for his daughter, dangerously young Ramona (Thais Blume). She unaccountably comes on to him, and Juan rapes her and leaves her for dead.
While trying to escape, Juan kills Muniente; soon Ramona reappears, telling Juan she actually enjoyed being raped. Meanwhile, a police inspector (Jose Coronado, the pic's best thing) is sniffing around and, in one magnificently bizarre scene, interrogates Juan in a graveyard just after Juan has had sex with Ramona at her father's funeral. The arrival of the cops opens up a noirish strand about political corruption that soon becomes incoherent.
Fernandez, a quietly tense performer, often ensures quality, but here struggles with a script that makes no attempt to explain why he rapes and kills. Many scenes are introduced by onscreen quotes -- some invented, and often on the Jekyll & Hyde theme -- that seem designed to inject some intellectual heft into a movie that wobbles uncertainly between the literal and the metaphorical.
Tech credits are low-budget. Film's attitude toward rape, supplemented by some un-PC statements by Aranda, have whipped up some local media interest.
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