La teta asustada {Gorzkie mleko} Spanish Movie 2009
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Release Date:31 December 2009
Genre: Drama | Music
Director:Claudia Llosa
Writer:Claudia Llosa
Language:Spanish | Quechua
Cast: Claudia Llosa, Magaly Solier, Susi Sánchez, Efrain Solis, Marino Ballon, Delci Heredia
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La teta asustada {Gorzkie mleko} Spanish Movie review:
First of all this movie’s official English title translation, Milk of Sorrow, is NOT correct. La Teta Asustada actually translates to ‘the scared tit.’ Those crazy anglos strike again. I finally had a chance to watch this award winning film that also caused some controversy within Peru cultural constituents.
This movie was directed by directed and writen by Claudia Llosa, who is also the niece of recognized Peruvian writer Mario Vargas Llosa. She beautifully portrays the story of Fausta, played by Magaly Solier, who suffers from ‘la teta asustada,’ a psychological condition suffered by children born during the terrorist years who lactated from the ’scared milk’ of the mothers who survived that era. Fausta herself is an attractive but timid and paranoid character who constantly lives in fear of men due to graphic rape stories told by her late mother. She goes as far as putting a potato in her vagina to prevent rape, but this causes more emotional and physical trauma as the plot develops.
YES, you read that last part, this movie has very strong plot elements. In short, the story takes place in a poverty striken and post-terrorist province of Lima. After Fausta’s mother passes away, besides the emotional pain, she struggles to save enough money for her mother burial which is expensive. At the same time, her cousin is preparing for a lavish wedding which juxtaposes the irony of a poor province stuck in old ridiculous dowry habits. Fausta is forced to take a job as a maid for a rich white woman, which portrays another characteristic of Peruvian diversity, culture and class division.
As a Peruvian who was raised in the United States, and also a lover of film, my opinion of this movie is high. The director’s cinematic elements are slow in rhythm but beautiful in imagery and full of feeling. I praise Magaly Solier for her acting as Fausta, she is able to make the directors vision come alive well. I think she captures the idiosyncracies of that Peruvian province in a charming way. Some have called this movie the Slumdog Millionaire of Peru because it of its portrayal of a poor peruvian province, but I disagree this plot is richer in feeling and compassion from a different place in the heart. Its plot does not strive for towards the hopes of wealth and prosperity, it observes the resolution of a very complex psychological reality and experience of the protagonist. This movie stands on its own and it brings Peruvian film quality to a whole new level. I recommend La Teta Asustada to any true lover of cinema with feeling.
Plot:
Fausta is suffering from a rare disease called the Milk of Sorrow, which is transmitted through the breast milk of pregnant women who were abused or raped during or soon after pregnancy. While living in constant fear and confusion due to this disease, she must face the sudden death of her mother. She chooses to take drastic measures to not follow in her mother's footsteps.
PUNTUACIÓN:
Tiene título de porno cómico o de secuela de El condón asesino. Un título que llama a engaño, vaya: porque "la teta asustada" es una enfermedad que sufren los hijos de las madres violadas por los terroristas de Sendero Luminoso. Es el síndrome del miedo a la violencia, materializado en el rostro triste y apesadumbrado de Fausta.
El canto quéchua con el que, sobre fondo negro, arranca la película inunda con su melancolía este viaje iniciático, que es el viaje que ha tenido que emprender Perú para recuperarse de los veinte años que duró la guerra de guerrillas. Fausta simboliza el presente de una nación que quiere mirar hacia el futuro curando las heridas abiertas de su pasado.
Hablando con un periodista rumano en la Berlinale, me contaba por qué no le había gustado La teta asustada: su carga simbólica recoge una tradición de realismo mágico latinoamericano que no ofrece nada nuevo que contar. Por ejemplo, la patata que Fausta se coloca en su sexo para imped
ir que la violen le parecía una metáfora risible. No puedo estar más en desacuerdo.Lo que hace Claudia Llosa en esta secuela inconfesa de su ópera prima, Madeinusa, es descubrir con nosotros la cultura andina, con sus lamentos redentores y sus momias preñadas de sentido, y hacer un sensible retrato femenino, a veces, todo hay que decirlo, algo premioso.
Magaly Solier pone rostro a esta fábula política, e interpreta a Fausta como una sonámbula a su pesar, una mujer que se encuentra a sí misma a través de las canciones que improvisa -y de las que se aprovecha la dueña de la casa en la que trabaja como asistenta- y al darse cuenta que una patata en la vagina no hará más que privarla de la libertad que merece.
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