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Taj Mahal Telugu Movie 2010
Romance Movie
Cast And Crew
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Release Date: 20 Mar 2010
Genre: Romance
Language: Telugu
Certification: U
Director: Arun Singaraju
Producer: Shivaji
Music Director: Abhiman
Taj Mahal Telugu Movie Review
The Story : Taj Mahal is a remake version of Kannada movie Taj Mahal and it is a romantic love story in which Shivaji playing a role of collage student who came from village to do his degree in hyderbad but after some time he falls in love with shuruthi.
Rest of the story is about whether he gains his love with shuruthi or not ?
Here is another article of fancy for the Telugu listeners. Shivaji comes up with a challenging role, while as a producer, he displays even more guts. Taj Mahal is not a run-of-the-mill fancy tragedy, but a melancholy account, with an quantity of chance in it. This is one layer which has not tinkered with the peak of the first. You could say, the entrance producer has allowed the chronicle cashier in the manager, carte blanche to be real to the novel idea.
Ajay (Shivaji) and Shruti (Shuruthi) are studying in an engineering seminary. The guy is in his closing year of engineering and has been in dear with Shruti for more than three days now. As he writes in his dairy, he has wished her ‘good morning,’ 3300 period. The girl cares a damn for him and on the day he invites her for a brunette, she asks, “What’s your name?” The Sandhya of Suswagatam is back, with a difference although. Ajay may have pointless three packed living worshipping somebody who doesn’t even bother to know his name, but he has already swept her off the feet, as Kumar.
Kumar is the guy Shruti speaks every morning, morning, nightfall and night over handset and is riotously in honey with him, though she has not met him once. For Ajay, the dilemma is that he cannot taunt to tell Shruti that the Kumar she is talking to every day is none but him, because Shruti declares in front of her contacts that she will die by committing suicide if Kumar turns out to be superstar with a cunning. Her picture of Kumar is one of a right, frank and gem of a guy.
Now, Ajay has no selection but to make Shruti reduction in darling with him, so she slowly forgets his Kumar avatar. What follows next is to be seen on the barrier.
The shoot is not a brilliant idea, but anywhere there lurks mild novelty in the sheet. Arun Singaraju does a good job, but he should have tried to game up to the standards of Telugu cinema. He should be appreciated for not injecting too much of drama. However, at some seats, the emotions drop fixed. Some crucial scenes have been miscarried, which make Taj Mahal a sheet low on smartness and appearance.
Many scenes are technically lower, while the departments of cinematography, choreography and action put up a support-ratio work.
The tragedy is that for all the uniqueness of the idea, Taj Mahal waterfall short in apparent a bright creation. The conflict in Ajay – whether to prolong his relationship with Shruti as Kumar or bid adieu evermore and suit his responsibilities – has been well-captured.
Shivaji puts up a credible performance in the next half, where his acting guts comes to the front. As a school chum, he is unpersuasive in the first half. Shruti does a so-so job. Kota as an indigent farmer father of Shivaji is adequate. Krishna Bagawan and Chitram Sreenu are good.
Musically (by Abhiman), the skin scores well, as the songs reach the mood of the skin. Dialogue-writer rightly puts more of basic dialogue, as verbosity would not have fit in well for the coating.
Taj Mahal is entertaining as well as shady. Its topic material doesn’t show too much of affection-wrenching moments, but it confident lives up to its own analyze and our regular expectations.
Here is another story of love for the Telugu audience. Shivaji comes up with a challenging role, while as a producer, he displays even more guts. Taj Mahal is not a run-of-the-mill love tragedy, but a melancholy story, with an element of risk in it. This is one film which has not tinkered with the climax of the original. You could say, the debut producer has allowed the story-teller in the director, carte blanche to be true to the original idea.
Ajay (Shivaji) and Shruti (Shuruthi) are studying in an engineering college. The guy is in his final year of engineering and has been in love with Shruti for more than three years now. As he writes in his dairy, he has wished her 'good morning,' 3300 times. The girl cares a damn for him and on the day he invites her for a coffee, she asks, "What's your name?" The Sandhya of Suswagatam is back, with a difference though. Ajay may have wasted three full years worshipping someone who doesn't even care to know his name, but he has already swept her off the feet, as Kumar.
Kumar is the guy Shruti speaks every morning, afternoon, evening and night over phone and is madly in love with him, though she has not met him once. For Ajay, the problem is that he cannot dare to tell Shruti that the Kumar she is talking to every day is none but him, because Shruti declares in front of her friends that she will die by committing suicide if Kumar turns out to be someone with a cunning. Her image of Kumar is one of a decent, guileless and gem of a guy.
Now, Ajay has no option but to make Shruti fall in love with him, so she gradually forgets his Kumar avatar. What follows next is to be seen on the screen.
The film is not a brilliant idea, but somewhere there lurks mild novelty in the film. Arun Singaraju does a good job, but he should have tried to match up to the standards of Telugu cinema. He should be appreciated for not injecting too much of drama. However, at some places, the emotions fall flat. Some crucial scenes have been miscarried, which make Taj Mahal a film low on style and appearance.
Many scenes are technically inferior, while the departments of cinematography, choreography and action put up a second-rate work.
The tragedy is that for all the uniqueness of the idea, Taj Mahal falls short in seeming a fresh product. The conflict in Ajay - whether to continue his relationship with Shruti as Kumar or bid adieu forever and fulfill his responsibilities - has been well-captured.
Shivaji puts up a credible performance in the second half, where his acting mettle comes to the fore. As a college buddy, he is unpersuasive in the first half. Shruti does a so-so job. Kota as a poor farmer-father of Shivaji is adequate. Krishna Bagawan and Chitram Sreenu are good.
Musically (by Abhiman), the film scores well, as the songs match the mood of the film. Dialogue-writer rightly puts more of plain dialogue, as verbosity would not have fit in well for the film.
Taj Mahal is entertaining as well as dark. Its subject matter doesn't promise too much of heart-wrenching moments, but it sure lives up to its own test and our ordinary expectations.
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