
Aindham Padai Movie Tamil 2009
Release Date: 24 Jul 2009
Genre: Action - Drama
Director: Badri
Producer: Kushboo
Music Director: D. Imman
Review
Coming Soon



Distributor: Columbia Pictures
Release Date: 2009-07-24
Starring: Gerard Butler, Katherine Heigl, Bonnie Somerville, Cheryl Hines, Eric Winter, Bree Turner, Vicki Lewis, Holly Weber, Nick Searcy
Directed by Robert Luketic
Produced by Kimberly di Bonaventura, Gary Lucchesi, Deborah Jelin Newmyer, Steven Reuther, Tom Rosenberg
Written by Nicole Eastman, Karen McCullah Lutz, Kirsten Smith
GERARD BUTLER JUST GETS HOTTER WITH AGE like a fine wine… by the way did I mention I was going to go to culinary arts? So I would know about wine.
Catherine Heigl (how do u spell that woman’s last name?!) looks pretty hot in it too…
So I’m going to do what I haven’t done before: Right a Pre-View (this does not mean ANY of this is correct or proper to the film okay? so no coming after me with pitch forks)
goodness.. even though he plays a rude guy, Butler is still ever-so charming…
The comment about StairMaster– Something my moviebuddy proudly cheered for…heyhey– it’s true– shallow men do think that way! At least it’s a realistic depiction of the guys right, ladies?
Of course we can assume Gerard falls in love with Katherine… But I would also assume he messes up first, like he bangs her and then leaves her.. but he gets her back
LOL I just hope there’s a butt-shot of Gerard.
So I absolutely can’t wait– I think this would fall under the category of what my moviebuddy calls a “bitchflick” since this movie depicts the obvious innappropriate and true behavior of many men. So this would be probably for the fans of He’s Just Not That Into You… something for the single ladies out there that want some more knowlege about the opposite gender.
Cast and CrewAll the Boys Love Mandy Lane is a horror genre film vastly better than its lesser PG-13 brethren that were deemed worthy of a theatrical release. All the Boys Love Mandy Lane is no copy-cat film or uninspired remake. This is a horror film that lulls you, one of surprises.
The main character, Mandy Lane (Amber Heard), is the “it girl” in her high school. She has looks, athleticism, is a junior, and has never had a boyfriend. Mandy is seen as pure, untouched and is sought after by the boys in her high school and envied by the majority of the girls. Mandy is nice to everyone, even the guys that hit on her and try to touch her. That’s just her nature and the way she is. It also serves to make Mandy that much more attractive, the same way Sarah Reeves’ (Jennifer Love Hewitt) allure was augmented on television’s Party of Five.
After two deaths, one involving a boy (Adam Powell) seeking to garner Mandy’s affection and the second, the end of an unlikely friendship with another boy named Emmet (Michael Welch), Mandy goes to a getaway with some new “friends” from school. This is the period of time where we briefly get to know the main characters in the film, a fault in All the Boys Love Mandy Lane but a strength for a horror movie like Wolf Creek. In that film, there is a lengthy character introductory period, giving the viewer time to get to know the characters before the blood-letting begins. This does not happen in All the Boys Love Mandy Lane and it is unfortunate because there is no resonance to the deaths that begin occurring. The viewer doesn’t care for or like the people (beyond the superficial) being killed (true of most horror movies though), so their deaths don’t matter.
Even though the targets of the death-dealer are inconsequential, the identity of the killer isn’t. It is very entertaining to see a killer in a horror movie end life with happiness in their voice and glee in their eyes. The kills themselves are effective as well. All the Boys Love Mandy Lane would be relegated to the ranks of an average slasher/horror movie if it were not for its third act. I can honestly say I didn’t see what happens coming. As I said earlier, I was lulled and I am very happy that I was because it’s rare in horror films these days.
All the Boys Love Mandy Lane is a good slasher movie that becomes great in its third act. All the Boys Love Mandy Lane is a horror film not satisfied with plot complacency but rather one that strives for and succeeds at being a little different.

Plot Summary: Two teenage boys – Tomo, a tough-talking orphaned Brit, and Marek, a shy Polish émigré – warily develop a friendship in one of London’s more rundown neighborhoods, a place where Shane Meadows’s black and white cinematography suggests the kitchen-sink dramas of the early ’60s. Thomas Turgoose, who played a baby-faced hoodlum in Meadows’s recent skinhead drama “This is England,” gives another tour-de-force performance as a cheeky, funny 16-year-old who has seen it all.
Tomo and Marek find ways to make a few quid, defend themselves from neighborhood bullies and dream of erotic fulfillment with the fetching French waitress they both fall for. Once again the filmmaker’s understated realism limns modern-day England in a way that is both contemporary and timeless.
Focuses on the area of London named Somers Town, where a young Polish immigrant named Marek strikes up a friendship with a runaway teen from the Midlands. An unlikely friendship begins and a love triangle unfolds as they both develop romantic feelings for a French girl who works in the local cafe.
Dead Man’s Shoes and This Is England director Shane Meadows takes the helm for this monochromatic childhood drama concerning two young friends living in London, and their efforts not to turn out like their aimless fathers. Tomo has just turned 16, and as a result he’s no longer under parental care. Eager to escape the Midlands and seek out a better life in London, Tomo sets out for the big city and strikes up a friendship with Polish immigrant Marek while traversing the streets of Somers Town. Marek is a quiet and sensitive boy who harbors a growing interest in photography and still lives with his father. But Marek’s father is a hopeless drunk, and doesn’t even notice when his son invites Tomo to share their apartment. Most days, Tomo and Marek are content to pass earning some quick cash from an eccentric neighbor, wandering the streets, and admiring a pretty French waitress named Maria who works at a nearby café. Eventually, the two become obsessed with the girl and begin tracking her every move. But one day Maria simply vanishes, leaving the boys to feel as if they have lost their muse. Later that night, Tomo and Marek decide to dull their pain by sharing a bottle. Of course, it’s this very same night that Marek’s father discovers his son has taken in a new roommate, and Tomo is swiftly evicted. As a result, the growing bond between the two boys is put to the ultimate test.

The horrors and moral compromises of war set the stage for this harrowing drama from director Max Färberböck, based on a true story. An anonymous female reporter (Nina Hoss) is living in Berlin in the spring of 1945; most of the city has been reduced to rubble by bombing, the German army has been decimated, and most of those left behind are expecting the arrival of Russian troops and fearful of what awaits them. The reporter is one of a number of women who are hiding wherever they can in the city, expecting that they will be raped and brutalized by the Russians. It doesn’t take long for their worst fears to be realized as the emotionally ravaged Russian soldiers take out their anger and frustration on their new captives. But the reporter, who can speak Russian, is determined not to allow herself to be violated by the soldiers, and she decides to curry favor with a Soviet officer who will then protect her from his underlings. The reporter’s plan works as she becomes the lover of Major Andrej (Yevgeni Sidikhin), an officer with decidedly mixed feelings about his work. But as the reporter trades consensual sex for the safety Andrej can give her, both are aware who is the victor and who is a captive, and elsewhere in Berlin both German survivors and the soldiers occupying Berlin show the scars of war as they bring out the worst in one another. Anonyma — Eine Frau in Berlin (aka A Woman in Berlin) received its world premiere at the 2009 Berlin International Film Festival. ~ Mark Deming, All e
Cast and CrewThe story follows the tale of two brothers (Josh Lucas and Lukas Haas) who are trying to climb out of the shadows of their Holocaust survivor mother’s (Jacqueline Bisset) dark past – and the love affair she conducted with a Nazi doctor while in the camps.
Decades after their mother’s experience, which left her blurring the lines between pleasure and pain, the sons’ lives still reverberate with the damage. One (Lucas) is a sharp, charming, intensely sexual but loveless con artist working in an exploitive modeling agency, while carrying on a carnally extreme relationship with his boss (Vanessa Kai). The other (Haas) is a brilliant but reclusive pianist unable to venture from the house. But change has come upon the family. The reclusive brother is moving out of his parents’ home for the first time; the ambitious brother is about to make a deal with an alluring new business partner (Adam Brody) who promises to jump-start a new life; and their mother finds herself pursued by a treacherous figure from long ago. As duplicity, moral compromise and the ghosts of the past haunt their vivid sexual and emotional relationships, the family careens towards a shattering catharsis.