The Young Victoria English Movie 2009
Romantic Movie
Cast And Crew
Starring: Michiel Huisman, Morven Christie, Jeanette Hain, Michael Maloney, Emily Blunt, Rupert Friend, Jim Broadbent, Miranda Richardson, Mark Strong, Harriet Walter, Jesper Christensen, Paul Bettany, Thomas Kretschmann, Julian Glover
Director: Jean-marc Vallee
Producer: Colin Vaines
Genre: Drama | History | Romance
Release Date: November 13, 2009
MPAA Rating: PG for some mild sensuality, a scene of violence, and brief incidental language and smoking.
Distributor: Apparition
Plot:
A dramatization of the turbulent first years of Queen Victoria's rule, and her enduring romance with Prince Albert. |
The Young Victoria Movie Synopsis:
"The Young Victoria" will focus on the first, often turbulent, years of the monarch's rule. She became queen at 18, and her legendary romance and marriage to Prince Albert. Devastated by her husband's death in 1861, she wore black for the rest of her life and remained largely secluded. Broadbent will play King William, Victoria's uncle, while Richardson has been cast as the Duchess of Kent, Victoria's mother. They join Emily Blunt as Victoria and Rupert Friend as her husband, Prince Albert. Watch online Movie Trailer free The Young Victoria English Hollywood film.The film Directed by Jean-marc Vallee .
The Young Victoria Hollywood Movie Review ;:From Time Out London
‘I will be good,’ Princess Victoria said on discovering she would be Queen. But, as things turned out, it was a touch more complicated. This sumptuous film has no interest in the ‘good’ dumpy adult Victoria, instead giving us a bildungsroman: after a stifling childhood, Victoria (Emily Blunt, above) must find maturity and independence – not easy with a controlling mother (Miranda Richardson), two scheming uncles and a snake-like prime minister (Paul Bettany). As in any traditional romance (and this, written by Julian Fellowes, is so trad its corsets creak), there are blips and the odd tear en route to a prince. That the prince, in this case, is Albert (Rupert Friend), her mother’s choice, just delays the inevitable.
Dignified and charismatic, Blunt gives great lip-wobble, and Friend pulls off the role of sidekick, but historical twiddling can’t render Victoria’s love life interesting and the only moving moment is the epilogue: 20 years’ happy marriage is more than most of us get, but 40 years of sorrowful widowhood is tragedy indeed.
It’s been six months since The Duchess was bothering our multiplexes, so it must be about time for another lavishly produced period drama about a young and beautiful royal who has to keep all her emotions wound up tighter than the threads of her heaving corset, right? Thankfully not. While The Young Victoria certainly ticks all the traditional boxes (lush unspoiled English scenery, immaculately picturesque mansions and yes, corsets) it also presents a fresh and quite fun perspective on a Monarch we’ve only generally seen as old and in mourning, and provides a showcase for the talents of Emily Blunt who, on this evidence, deserves to steal Keira Knightley’s ‘English Rose’ crown before the year is out.
Delving into the life of coronation era Queen Victoria (circa 1837) writer Julian Fellowes (Gosford Park) has found a rich vein of history largely untouched by Hollywood, and mines it to tell a story that is both politically engaging and gloriously romantic. To begin with the politics and power take precedence, as we are introduced to the aged King William (a top-form Jim Broadbent) and the tussle going on to secure control of Victoria, the young heir to the throne. Fellowes cleverly uses the Belgian Prince Albert (Rupert Friend)’s education in the who’s who of English aristocracy to bring the contemporary cinema audience quickly up to speed, with Albert’s brother reeling off names while we see the corresponding person arriving at the King’s birthday party.Chief in the political mix is Paul Bettany’s Melbourne, who becomes an uncomfortable mix of advisor, father figure and object of affection in the young Victoria’s life. His influence on her leads to a key political crisis early in her reign, and this is the one area where the film overreaches; the speed with which events fly by suggests cutting due to running time constraints, resulting in the film failing to successfully explore this interesting aspect of Victoria’s story.
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