''KANAGAVEL KAAKKA "Tamil KOLLYWOOD FLIM Release Date: 21 May 2010
Kanagavel Kaakka Drama movie movie story kollywood movie Online Online movie trailer Comedy Movie movie review Hindi movie Online
CREW:
Release Date: 21 May 2010
Genre: Drama
Language: Tamil
Certification: U
Director: Kavin Bala
Producer: Saravana R
Music Director: Vijay Antony
CAST:
Karan, Haripriya, Kota Srinivasa Rao, Raj Kapoor.
Kanagavel Kaakka Story:
Vengeance and seeking retaliation’ by eccentric means of protagonist have remained as the heart and soul concept of Tamil cinema filmmakers. It started right from the period of MGR and Sivaji Ganeshan period followed by Rajnikanth in ‘Naan Sivappu Manidhan’, Kamal Haasan’s ‘Indian’, Ajith Kumar’s ‘Aalwar’ and so on.
Karan steps into their shoes now merely for seeking revenge, but with a different characterization…. We have got to appreciate Kavin Bala for showcasing his protagonist in the role of a court Tawali (yeah! The same guy we see in courts calling out the names 3 times).
Tawali Velu (Karan) has been employed for over a long period of time. His experience over that place is all about witnessing justice replaced by injustice with judges taking advantages over poor and unprivileged people. On the very next sequence, we see that Velu has gained a new avatar of killing those baddies out from crime suits.
Shifted in flashback, we tend to witness that Velu had a bitter experience as his family was killed by a cruel minister (Kota Srinivasa Rao). Now, rest of the film is all about Velu settling scores with the minister and his son.
The problems faced by working class families across various parts of society have been well depicted by director Kavin Bala. But this newcomer seems to have been very much inspired by his mentor Saran, as most of his films are based on seeking revenge with an illogical narration.
Narration wise, Kavin Bala loses out badly on coming up with a good narration as there are lots of absurdities found here and there. Just imagine the lines where a character says – ‘Ippo Avan Enga Iruppan Theriyuma’ (Do you know where the hero will be now?) and the next shot is cut to a foreign location song. Hari Priya is good for nothing as she just appears as commercial actresses appearing for song and disappearing on the next minute. Kotta Srinivasa Rao is the only person, who deserves good appreciations for his usual performance.
The complete film has some repetitions from the yesteryear movies we have mentioned and hope it would have been nice if Kavin Bala had invented some new idea. Some audiences, who have strong dislikes against the societal injustice, may have something to relish as the hero eliminates such things.
Kanagavel Kaakka MOVIE REVIEW
Karan tries to tread a different path in director Kavin Bala’s debut Kanagavel Kaakka. It is not a completely different theme as such, but the premises make it somewhat distinct to other films that we have seen that border on the same theme.
Kanagavel Kaakka takes a look at the judiciary of our country; how easy it is to find loopholes in the law and escape punishment. So, what is the solution to this? That someone has to take it upon himself to deliver the right judgment when the court of law is not able to do so. How he sets flawed judgments right is the story of Kanagavel Kaakka.
Karan plays the unassuming and ordinary peon in court, the guy who stands behind the judge practically playing no part in the whole process of the trial, just being there as a mute spectator. But, he is not the kind of peon that everyone thinks he is. He is in fact a lawyer who was forced
by fate to take up the garb of a peon. The reasons for that are told; Karan’s father was a judge and naturally had to take a few tough decisions in his career and delivered judgments that irked a few bad men. He had to pay the price for it through his family and Karan who was witness to all the arson decides to be a source of support to his father than erecting a career of his own.
Now, as a peon standing behind the judge he is able to see right through the fake witnesses and hollow arguments of the other lawyers in court (because of his education as a lawyer). And, when a criminal walked off free he chased them down and delivered justice of his own kind. How long does he continue doing this, does the law wake up or does his struggle end up as a minor movement that never had any impact at all?
Kanagavel Kaakka does attract with its theme - that of one man against the system, which we never go tired of. But, there is a feeling that a director could have brought in a bit more suspense and intelligence to the proceedings. Right from the word go, there is no sense of excitement or whodunit in the movie. It is pretty plain and predictable in spite of the theme’s potential to be suspenseful as well as exciting. The other factor missing sorely from Kanagavel Kaakka is the intelligence. For all his law degree and shrewd eye to detect the criminal, Karan does not seem to plot his acts well enough. All the acts of punishments that he delivers seem too simple and straightforward. Depicting a little bit of planning and in depth thought behind this would have added more credibility to the movie. But, Kanagavel Kakka does impress basically because it has got a theme of universal appeal. Only, the execution leaves a lot to be desired.
Karan has played a role that is quite apart from the ones he has been seen in over the recent past. There is a sense of restraint and underplay which is good and suits the character well. Others in the cast live up to their experience like Kota Sreenivasa Rao, Sampath and Raj Kapoor. Haripriya as the heroine hasn’t got much to do except in the songs.
Technically, there is nothing much in the movie that garners attention. All departments are just adequate. Music by Vijay Anthony is passable, but not catchy and there seems to be one song too many for a film of this kind.
Kanagavel Kaakka has got an interesting subject. But, lack of suspense and intelligence in the proceedings are major drawbacks. A tighter and more focused screenplay was definitely called for.
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