Sunday, May 23, 2010

Watch ‘MAGANE EN MARUMAGANE' Tamil Movie Free Trailer Download Review Overview

''MAGANE EN MARUMAGANE"Tamil KOLLYWOOD FLIM Release Date: 21 May 2010

Magane En Marumagane Comedy movie movie story kollywood movie Online Online movie trailer Comedy Movie movie review Hindi  movie Online
                     CREW:
                                      Release Date: 21 May 2010
                                      Genre: Comedy
                                      Language: Tamil
                                      Director:   T.P.Gajendran

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                            Producer:   Raj TV
                                      Music Director:       Dhina
                     CAST:
                                     Raghav, Vivek, Nasser, Saranya, Thenmozhi, Yamini Sharma, Livingston.

MAGANE EN MARUMAGANE  Story:

Magane En Marumagane film is about how parents should bring up the children and how children should take care of the parents. Mithun plays Nassar son and comedian Vivek plays his son-in-law. It’s about the conflicts between Mithun and Vivek.
Alas! How long will these filmmakers keep boiling the same stuff over and over again? Perhaps, you would have to walk out of theatres yelling it. We have watched several films based on issues pertaining to middle class families. Of course, there have been certain amenities that these cohorts could experience after watching these flicks. But, this time T.P. Gajendran spills out the clichéd ingredients that lack substantiality
On the whole, it’s not a film meant for multiplex audiences and may click amongst the groups in suburban areas and touring talkies in villages The film revolves around a good-for-nothing guy Challenge Singaram (Vivek), who is pining away with gambling addiction. His childhood sweetheart Ponnarasi (Yamini Sharma) always remains as apple of his eyes and somehow manages to marry her after convincing parents (Nasser and Saranya). Her younger brother Raghu (Mithun) gets infuriated over Singaram’s fraudulent act of stealing his mobile, which leads to a split of the joint family. There is yet another shock awaited for Singaram as he gets framed for the murder he didn’t commit.
Being released from prison, Singaram vows to revive himself and finds a right way to set things rights. Set on an aspirational journey, he makes it big in real estate business thereby becoming rich. On his return to village, he finds that his in-laws are missing and their lives have been pathetic now. What follows next is a series of flashback sequences that reveals the reason behind their pathetic situation.
The film doesn’t boast off anything special as T.P. Gajendran comes up with a hackneyed script. The characterizations are so stereotyped that it makes you annoyed after a certain extent. Mithun looks so spiritless and he badly needs to go through a crash course in acting. He fails to emote with realness during certain sequences that would have gained him appreciations. Yamini Sharma does justice to her role while Vivek steals the show with his comedy tracks. But it would have been better if Vivek had avoided uttering double-entendres

MAGANE EN MARUMAGANE REVIEW

Just when you thought that the period of greatly dramatized, Visu-isque, heavy duty family flicks about individuals conning rich relatives for money and wealth is officially over, comes the T P Gajendran directed Magane En Marumagane. True to its title, the movie is about a man’s son (magan) and his son-in-law (marumagan) and who proves worthwhile during testing times. Tossed with a liberal dose of melodrama and suchlike, Magane En Marumagane is reminiscent of the tearjerkers that ruled the eighties, after which the television took them over.

A rich couple, the good-natured Nasser and the affable Saranya are attempted to con by Vivek and Paravai Muniamma. The plan is to marry Nasser’s daughter Yamini and siphon the couple off their assets. The plan succeeds eventually, but
    

before it could be executed in full, Vivek lands in the prison on murder charges that he never committed. Nasser expends his wealth on Vivek and brings him back from the prison after which Vivek and Yamini move to greener pastures in search of better fortunes.

After being relieved of their earnings and without support from their son either, the couple become wanderers. Vivek, having turned around his fortunes, now sets out in search of his long last in-laws. In the meanwhile, Saranya meets with an accident and is declared brain dead. Her son Mithun is admitted for issues related to heart disease and needs an organ transplant. Now it’s up to Nasser to decide whether to grant his son forgiveness and allow his wife’s organs to be donated.

The story offers enough scope for social and moral lessons and none of it is squandered. With a suitable screenplay, T P Gajendran’s job looks just like child play - only having to extract the necessary display of emotions from the actors. Talking of which, what could go wrong when you cast Nasser and Saranya as a blameless couple who take the world for what it looks like. They go hand in hand and furnish their convincingly superior acting skills so the director and the audience could not ask for more.

Vivek’s sort-of negative role in the beginning of the movie does an about turn after he is rescued by his father in law. Although Vivek is not devoid of his usual oh-so-boring comical abilities, he has shouldered some serious responsibility in the movie switching from the waywardly who is out to con Nasser of his money to his transformation to a conscientious businessman who wants to set things right. Vivek’s character has depth and is etched out neatly.

The other aspects of the movie are manageable and the song Yaaradu Yaaradu is worth a mention for its pleasant picturization and the catchy tune. The pace of the movie tends to slacken in some places and it gets preachy as well over a period of time.

All said and done Magane En Marumagane is a family movie and given the huge success of tearjerker sitcoms in primetime television, it stands a chance to exert its pull over women and rural audiences in particular. For, we are a nation that still gets a kick out of melodrama in anything, let alone movies.

Verdict: Return of the so-called family movie!

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