Death at a Funeral (2010)" , Action/Adventure movie story Hollywood movie Online movie trailer Action/Adventure Movie review English movie Online
CREW:
Release: June 04, 2010
Director Neil LaBute
Genre: Comedy
CAST:
Chris Rock, Martin Lawrence, Tracy Morgan, Danny Glover, Regina Hall, Zoe Saldana, James Marsden, Luke Wilson, Peter Dinklage, Columbus Short, Loretta Devine
Death at a Funeral (2010) Story:
Aaron (Chris Rock) is a well-mannered and hard working young man, married to Michelle (Regina Hall), and still living at his father's home. When his father dies, it is up to Aaron, the oldest son, to organize the funeral and give the eulogy. The funeral takes place in his father's home and Aaron tries to put on an appropriate expression on his face to welcome his relatives, including his famous writer brother Ryan (Martin Lawrence), and his father's friends. But preserving a civil atmosphere will be a hard thing to do, especially, when from the very start, the undertaker makes a horrifying mistake. And Ryan wants to be the celebrity of the event without paying for anything. But those incidents are only minor compared to the information that Aaron and Ryan get from Frank (Peter Dinklage) the mysterious dwarf who is attending the funeral and nobody seems to know.
Death at a Funeral (2010) SYNOPSIS
On the morning of their father''s funeral, the family and friends of the deceased each arrive with his or her own roiling anxieties. The son, Daniel, knows he will have to face his flirty, blow-hard, famous-novelist brother Robert, who''s just flown in from New York--not to mention the promises of a new life he''s made to his wife Jane.
Meanwhile, Daniel''s cousin Martha and her dependable new fiance Simon are desperate to make a good impression on Martha''s uptight father, a plan that literally goes out the window when Simon accidentally ingests a designer drug en route to the service, leaving him prone to uncontrollable bouts of delirium and nudity in front of his potential in-laws.\n\nThen comes the real shocker: a mysterious guest who threatens to unveil an earth-shattering family secret. It is now up to the two brothers to hide the truth from their family and friends, and figure out how to not only bury their dearly beloved, but also the secret he''s been keeping.
Death at a Funeral (2010) REVIEW
With a title like Death at a Funeral, you'd certainly hope this is a comedy, and it is. A dark little comedy with only a pinch of respect left for the deceased. From the very outset when the funeral home delivers the wrong body, you know what to expect from this film. It exploits the formalities and the things people do or don't do at funerals out of confusion, grief or respect.
Throwing into the mix, rivalry of the siblings, politics of the extended family, a one night stand, an old uncle on a wheelchair, a bunch of hallucinogenic drugs and a dark secret of the deceased and you're surely onto a winner, right? Well, sort of.
It has good writing by Dean Craig, the structure and all the components do fit together tightly, there's no complaining there, however it lacks a certain freshness and feels like a path we've walked before. I assume there is little you can do to make fun of a funeral that hasn't been seen & done before.
The main strength of he film is its witty dialogue, followed by its performances. Though primarily it is about the two sons of the deceased, Daniel (Matthew MacFadyen) and celebrity novelist Robert (Rupert Graves), the focus does deviate frequently to the multiple subplots. In line with the mayhem that the film sets out to achieve, this works a charm. All the cast gets ample scope to add their contribution of madness to the pot.
This is also its weakness though, as it feels on the verge of being a bit 'too' much. The mayhem seems too perfect. Everyone is at the right place at the right time to add their witty dialogue or action to chuck in that extra joke. It seems as though they aimed to do to Funerals what Airplane did to films about plane journeys, but unfortunately this is not achieved.
I cant think of that many films that play with the comic aspect around funerals, but Wedding Crashers and Four Weddings and a Funeral spring to mind. There is also the TV series Six Feet Under, which added a further depth by having the dead communicating selectively with the living.
Back to the film, quite predictably, the mayhem eventually boils over and brings us to a climax where the issues that have been brought to our attention are either resolved or set in motion to be resolved. At the risk of sounding repetitive, it all seems quite clinical, adding randomness to this mix and not tying up everything so neatly only would have added to the viewing pleasure.
Possible moral of the story:
If you care, try not dying, you never know what might happen to you after that.
All said and done, though nothing ground-breaking, it is an enjoyable little caper, it does what it says on the tin, it entertains. With multiple laugh out loud cracks seeded into a compost of smirk worthy moments to take away, it's worth a watch if you fancy something short and sweet, to kill a couple of hours.
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This is an example of movie-making at its worst. I really am at a loss to know what market these sorts of movies are aimed at. Perhaps a black US audience might find more amusement than a UK audience – although the director is white. I don't know. This IS a black movie with a capital B. There are three token white actors one of which is a token midget. They studiously avoid referring to his lack of height until the end of the movie when it all comes thick and fast but, as with the rest of the movie, unfunny. Chris Rock, arguably the lead, is not an actor of any discernible talent, closely followed by his brother in the movie – that's brother rather than brother – Martin Lawrence. The women and the white actors come off marginally better. A gag about a guy getting crap all over his hand is a toe-curlingly unfunny set-up for a totally unamusing running gag. The movie doesn't even end when it should do but has another two or three minutes of 'story wrap-up' scenes which are completely unnecessary. Directed by Neil (The Wicker Man 2006 remake) LaBute one can only wonder what dirt he holds on Hollywood execs that they continue to bankroll his worthless projects. If anything, perhaps it is good to see something like this occasionally just to remind oneself what good cinema is all about.
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