Coco Chanel & Igor Stravinsky French English Romantic Movie 2009
Cast And Crew
Cast :Mads Mikkelsen ,Anna Mouglalis ,Yelena Morozova , Natacha Lindinger ,Grigori Manukov ,Radivoje Bukvic ,Nicolas Vaude , Anatole Taubman ,Erick Desmarestz ,Catherine Davenier ,Olivier Claverie Drictor:Jan Kounen Writers:Chris Greenhalgh (screenplay) ,Chris Greenhalgh (novel) Producer:Chris Bolzli, Claudie Ossard Date Of Opening :06 Janvier 2010 Dueration: 118 minutes Genre :Drame, Romance Origine:France (2009) Langue originale :Français | Enfants admis Country:France Language:English | French | Russian Distributor:Sony Pictures Classics Coco Chanel & Igor Stravinsky French Movie Plot : Paris 1913. Coco Chanel is infatuated with the rich and handsome Boy Capel, but she is also compelled by her work. Igor Stravinsky's The Rite of Spring is about to be performed. The revolutionary dissonances of Igor's work parallel Coco's radical ideas. She wants to democratize women's fashion; he wants to redefine musical taste.
Coco attends the scandalous first performance of The Rite in a chic white dress. The music and ballet are criticized as too modern, too foreign. Coco is moved but Igor is inconsolable. Paris 1920, Coco is newly wealthy and successful but grief-stricken after Boy's death in a car crash. Igor, following the Russian Revolution is now a penniless refugee living in exile in Paris. Coco is introduced to Igor by Diaghilev, impresario of the Ballets Russes. The attraction between them is instant and electric. Coco invites Igor along with his wife - now sick with consumption - together with his four children and a menagerie of birds to stay at her new villa,Watch online Movie Trailer freeCoco Chanel & Igor Stravinsky Hollywood film.The film Directed by Jan Kounen . Coco Chanel & Igor Stravinsky French movie Review :
This movie has a great atmosphere and a great actress in the leading role. Anna Mouglalis is unbelievable. I believe that her character and the prospect that the director wants to show should be a lesson for every woman that wants to be independent in our days. I would also like to comment the respect and kindness among the members of the Russian family. The film admits that Russians are strongly related to art and education. Even ordinary people appreciate the value of arts, particularly music, as it's shown in the film. On the other hand we can see a love story between two different people, a family man and a woman that she has only one goal: to live her every moment as it was her last. She doesn't care about moralities and relationships as Igor. Coco and Igor move aside their beliefs and cultures and let their passions to guide them. If the nineteenth century gave us the best social utopias, it also gave us the most developed idea of individuality. The sacred individuality (Durkheim) is not just a metaphor, but something to die for (Heinich). Stravinsky and Chanel are entering the twentieth century affirming the supremacy of their individualities. Stravinky's notes send us straight to an unresting subjectivity. No more lakes with swans, or marvelous epic narratives, but a strong voice evoking one's darkest secrets and turmoil. Stravinsky's wife, Katia, belongs to a pre-modern world. Her praying and her religious loyalty to her husband guide her resignation. It is certainly annoying for us, impatient inhabitants of the XXI century. Igor's success is her success. For Coco, his success is the affirmation of the possibility of supreme geniality, power, originality, uniqueness. Like a rare perfume, Coco needed to belong to such nobility. Disruption seems certain when Coco is deeply disappointed: she does not earn recognition from her Igor.
However, this conflict yields an aftermath - a situation where conflict is in the open, but too much is at stake for a premature disruption. What is produced at such aftermath, at such unbearable relationship? The spring of each one's individuality. The "Le Sacre du Printemps" is for both. Both celebrating individuality and youth.
Cast:Antoine L'Ecuyer, Suzanne Clement, Daniel Briere, Catherine Faucher, Gabriel Maille, Jules Philip, Micheline Bernard, Jean Maheaux, Denis Gravereaux, Evelyne Rompre Director:Philippe Falardeau Classification: NA Genre: Comedy General Release Date:31 Dec 2009 Running Time :Canada:105 min Distributor: Golden Village Pictures
It's Not Me I Swear French Film Synopsis :
Leon is ten years old, has lots of problems and an overly fertile imagination. Of course, there is Mom and Dad who are always fighting, and those annoying neighbours who get to spend the summer at the beach. Then, there's Lea, the exasperating girl who's always right about everything. In the summer of 1968, when Mom decides to leave everything behind to start a new life in Greece, Leon is prepared to do anything to kill the pain.Destroy the neighbors' house, become a professional liar and even, why not, fall in love with Lea. Together, they will overcome the pain of growing up when you feel abandoned, Watch online Movie Trailer free It's Not Me I Swear Hollywood film.The film Directed by Philippe Falardeau.
Film Review : This movie has just won the 'Silver Bear' award at the Berlin Film Festival in the 'Generation' section. The award is well deserved. The charismatic young lead actor who terrorises his neighbours and family carriesthe film on his slight shoulders. It is cleverly structured with laughter and tears throughout. The dialogue is sharp and witty and the characters well drawn. On a more serious notethe film highlights the severe problems disturbed youngsters left to their own devices can have. Another reviewer compared it to 'Home Alone' but it is much deeper and (with a suicide attempt) far darker than the American comedy. Filmed in Canada with French dialogue it deserves to be seen by a much wider audience. Strongly recommended! The movie gives us so much character development and processes it rather amazingly over the 2 hours the film goes on, it's one of the few movies thus far to really get a connection with your characters. Leon and Lea are not perfect, they are down right evil, but there intentions are pure. Leon stealing from other peoples houses to get a ticket to fly to Greece to see his mother whom abandoned him. And Lea trying to find her father, who has been on a business trip for over 2 years. None of them are perfect but, you still feel for them, and get attached, hoping for the best. By the end of the movie you smile knowing that, Leon has kept one thing for himself: Hope. That even though a lot has happened in his life he can change, and hope for the better, hope for a new change on himself, hope to one day see his mother once again. The film has so much and without spoiling every little detail, this is one I recommend to buy, it's not a perfect film, there is no such word for a film, but it is unique, amazing and touching. A pure gem. And the acting is done so well so real, it puts to shame anything Hollywood has put together.
For the reviewer who stated that this film is like Home Alone, I ask this, when in home alone did his parents divorce, or he vandalize a whole house, or cut himself and lie to to keep an alibi, or even swear. This movie is nothing like Home alone this is a masterpiece and is no John Hughes family comedy, this would be the Coen brothers take on Home Alone if anything. This Movie Links With Review Thousands of people think same so download and watch movies whenever and wherever they want. With the advent of internet , it has become much easier to watch free online movies. There are thousands of free movie download sites,Search In Google.com allowing you to download any movie with highest quality and also with full speed Youtube With Thanks.
Cannes, the French Riviera. Armand Teillard is happy with life; a busy store downtown, a delightful girlfriend, a magnificent record collection and lunch every day at Sofia and Martial's family restaurant with a perfect sea view. So when Sofia tells Armand that Zapetti, a property developer with mafia connections, is putting the squeeze on her to sell up, he is horrified. Armand is an easy-going guy, but when he gets mad... actually, Armand never gets mad. He leaves that to his twin brother, Maurice, The Whistler. When Maurice rides into town in his Aston Martin and designer suit, Zapetti, his mob and the corrupt local politicians are in trouble. But what if, behind the dyed hair and tinted contact lenses, Maurice and Armand are one and the same guy? Is Cannes big enough for the both of them
